punch in or out - definitie. Wat is punch in or out
Diclib.com
Woordenboek ChatGPT
Voer een woord of zin in in een taal naar keuze 👆
Taal:

Vertaling en analyse van woorden door kunstmatige intelligentie ChatGPT

Op deze pagina kunt u een gedetailleerde analyse krijgen van een woord of zin, geproduceerd met behulp van de beste kunstmatige intelligentietechnologie tot nu toe:

  • hoe het woord wordt gebruikt
  • gebruiksfrequentie
  • het wordt vaker gebruikt in mondelinge of schriftelijke toespraken
  • opties voor woordvertaling
  • Gebruiksvoorbeelden (meerdere zinnen met vertaling)
  • etymologie

Wat (wie) is punch in or out - definitie

AUDIO AND VIDEO RECORDING TECHNIQUE
Punch in; Punching in; Punch in / out; Punch (music); Punch out (music)

punch in or out      
N. Amer. (of an employee) clock in (or out).
Knockout punch         
  • Chassis punches: assorted sizes round and square
  • Chassis punches: assorted sizes round and square disassembled
METALWORKING TOOL
Knock out punch; Knock-out punch; Chassis punch
In metalworking, a knockout punch, also known as a chassis punch, panel punch, Greenlee punch, or a Q-max, is a hand tool used to punch a hole through sheet metal. It is a very simple tool that consists of a punch, die, and screw.
Punch in/out         
Punch in/out is an audio and video term that originated as a recording technique used on early multitrack recordings whereby a portion of the performance was recorded onto a previously recorded tape, usually overwriting any sound that had previously been on the track used.Pandey, Ashish (2005).

Wikipedia

Punch in/out

Punch in/out is an audio and video term that originated as a recording technique used on early multitrack recordings whereby a portion of the performance was recorded onto a previously recorded tape, usually overwriting any sound that had previously been on the track used. The erasing and/or recording heads had to be very carefully aligned and applied to the tape surface with delicate timing and precision to avoid ruining the recording, and the practice was feared by most producers and engineers.

After the advent of 16- and 24-track equipment it was no longer necessary to risk the recording as a whole, as an empty portion of another track could be dedicated to such use. Vocalists in particular would usually record several renditions over separate parallel tracks, with the producers choosing the best bits from the layered vocals to mix together. The term "punching in" remained in use despite this fact.